As per newly released data by Future Market Insights (FMI), the film tourism market size is estimated to surpass US$ 66.9 million in 2023 and is projected to reach US$ 118.6 million by 2033, at a CAGR of 5.9% from 2023 to 2033.
| Attributes | Details |
|---|---|
| Market Share (2022) | US$ 66.7 million |
| Market Share (2023) | US$ 66.9 million |
| Market Share (2033) | US$ 118.6 million |
| Market Share (2023 to 2033) | 5.9% |
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The film tourism market is estimated to grow at a steady rate during the forecast period. The growth can be attributed to several reasons, both international and domestic. The rise of pop culture and the immense consumer demand for related activities has been one of the key reasons. The increasing popularity of tours to film locations is due to the exposure such locations get from films, documentaries, TV series, etc. Local economies also benefit immensely from the exposure they get from film-induced tourism.
The overall outlook for the film tourism market looks bright and positive during the forecast period while creating opportunities for firms, helping local economies, and generating employment opportunities.
The increasing trend of people wanting to immerse themselves in different cultures has been visible across the globe. This trend has been named cultural integration and has given rise to 'Culture Tourism,' which is the parent market for 'Film Tourism.' The demands of people to partake in the culture and experience the parts of films or series that they love provide an opportunity to generate revenue by providing such experiences. This is expected to help the film tourism market further.
The regional locations and otherwise non-tourist spots are expected to gain the most out of this. The local economy of Northern Ireland has been estimated to gain in excess of US$ 50 million in 2018 from the tourists visiting the location to see the sets and filming locations of the popular show 'Game of Thrones.'
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The presence of content that caters to a wide category of audiences across the globe has been increasing due to the availability of streaming platforms and the internet. This has made the locations and production sets of such content very popular among tourists. The increasing disposable income of the target consumer audience has also helped in the surge of film tourism. The low cost of travel and ease of booking accommodations has also been a key factor in the growth of the market. Consumer demand has gone up due to these factors, making the current period the perfect opportunity to enter the market.
Film Sets are the Most Preferred Location Type in the Film Tourism Sector.
Film sets are one of the most preferred locations among tourists within the film tourism sector. This is due to the ease of booking and accommodations one can avail of while visiting these sets. They are regulated and kept in good condition by the respected film studios, also offering the tourists all-inclusive packages and tours of the film sets and related destinations. While famous destinations where films have been shot have also seen a surge in visitors, helping generate revenue for the local economies.
Online Booking Channels Lead the Booking Channel Segmentation.
With the wide availability of the internet and the online presence of top firms operating in the market, the booking channels have mainly shifted towards the online mode of bookings. This rise is attributed due to the ever-increasing ease of using the online channel and the wide tour options one gets from these platforms. Hassle-free experience and the comfort of booking at your convenience are also the driving factors in this case. The online bookings channel is expected to keep on capturing the key market share and remain the most preferred.
Packaged Traveler is the Most Prominent Category.
With several firms offering different services and all-inclusive packages, it has made the 'Packaged Traveller' the keyity category in the tour type segmentation. The firms offer film tourism packages with different activities, locations, and price ranges, helping satisfy the needs of the keyity of the consumer base without the need for them to go through different channels for different services, saving them the hassle and cost. Thus making packaged travelers the norm in the film tourism sector.
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A Variety of Landscapes and Government Support Make New Zealand a Popular Destination for Film Tourism.
New Zealand has been a popular destination among production houses for filming due to a couple of key reasons; the primary reason is the wide availability of different landscapes for filming throughout New Zealand, and the other reason has been government incentives and the ease of getting permits.
Leading film productions like 'LOTR,' 'Chronicles of Narnia,' and the 'The Last Samurai' took place in different beautiful landscapes of New Zealand. The sets and locations used in these movies are famous among tourists, attracting thousands of tourists to New Zealand and creating a substantial amount of revenue for the local economy.
Film Festivals are the Leading Driving Factor in the France Film Tourism Market.
France has always been viewed as an artistic country. It has been a boiling mixture pot of art, luxury, and philosophy. To celebrate this culture and tradition, France has many film festivals held annually. 'Cannes Film Festival,' which is among the three prominent film festivals in the world, is held every year in May in Cannes City, bringing in a lot of film enthusiasts, critics, and movie stars to the city. This, along with different film productions happening in France throughout the year, has also kept the film tourism sector in France growing and refreshed.
The Presence of Massive Production Sets and Film Studios is a Prominent Feature in the United States Market.
The United States is home to the oldest and a huge film industry by revenue, i.e., Hollywood, making it a prime spot for Film Tourism. The city of Los Angeles, California, is home to the biggest film studios in the world, like 'Warner Bros Studio,' 'Universal Studio,' '20th Century Fox Studio', and 'Paramount Studios' making it the hotspot for production sets and key filming activities. The 'Universal Studio Theme Park' is one of the key attractions in the city, bringing in tourists from all over the globe. Other popular destinations like New York, Atlanta, San Francisco, and Chicago also have visitors who want to experience the filming locations of their favorite films in real life.
The key players are maintaining a competitive edge in the market by offering all-inclusive packages and saving tourists from the hassle of going through different channels for their tours. Government initiatives and investments are boosting the market and have also helped the firms improve their service offerings.
Recent Developments Observed by FMI:
| Attribute | Details |
|---|---|
| Forecast Period | 2023 to 2033 |
| Historical Data Available for | 2018 to 2022 |
| Market Analysis | US$ million for Value |
| Key Regions Covered | North America; Latin America; Europe; East Asia; South Asia; Oceania; The Middle East & Africa (MEA) |
| Key Countries Covered | United States, Canada, Germany, United Kingdom, Nordic, Russia, BENELUX, Poland, France, Spain, Italy, Czech Republic, Hungary, Rest of EMEAI, Brazil, Peru, Argentina, Mexico, South Africa, Northern Africa, GCC Countries, China, Japan, South Korea, India, ASEAN, Thailand, Malaysia, Indonesia, Australia, New Zealand, Others |
| Key Segments Covered | Location Type, Booking Channel, Tourist Type, Tour Type, Consumer Orientation, Age Group, Region |
| Report Coverage | Market Forecast, Company Share Analysis, Competition Intelligence, Trend Analysis, Market Dynamics and Challenges, and Strategic Growth Initiatives |
The global market size to reach US$ 118.6 million by 2033.
North America is projected to emerge as a lucrative market.
The growth potential of the film tourism market is 5.9% through 2033.
The rising costs may likely to limit market growth.
The rising massive production and film sets driving the United States market.
1. Executive Summary 1.1. Global Market Outlook 1.2. Demand-side Trends 1.3. Supply-side Trends 1.4. Technology Roadmap Analysis 1.5. Analysis and Recommendations 2. Market Overview 2.1. Market Coverage / Taxonomy 2.2. Market Definition / Scope / Limitations 3. Market Background 3.1. Market Dynamics 3.1.1. Drivers 3.1.2. Restraints 3.1.3. Opportunity 3.1.4. Trends 3.2. Scenario Forecast 3.2.1. Demand in Optimistic Scenario 3.2.2. Demand in Likely Scenario 3.2.3. Demand in Conservative Scenario 3.3. Opportunity Map Analysis 3.4. Investment Feasibility Matrix 3.5. PESTLE and Porter’s Analysis 3.6. Regulatory Landscape 3.6.1. By Key Regions 3.6.2. By Key Countries 3.7. Regional Parent Market Outlook 4. Global Market Analysis 2018 to 2022 and Forecast, 2023 to 2033 4.1. Historical Market Size Value (US$ Million) Analysis, 2018 to 2022 4.2. Current and Future Market Size Value (US$ Million) Projections, 2023 to 2033 4.2.1. Y-o-Y Growth Trend Analysis 4.2.2. Absolute $ Opportunity Analysis 5. Global Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Location Type 5.1. Introduction / Key Findings 5.2. Historical Market Size Value (US$ Million) Analysis By Location Type, 2018 to 2022 5.3. Current and Future Market Size Value (US$ Million) Analysis and Forecast By Location Type, 2023 to 2033 5.3.1. Film Sets 5.3.2. Destination 5.3.3. Film Festivals 5.4. Y-o-Y Growth Trend Analysis By Location Type, 2018 to 2022 5.5. Absolute $ Opportunity Analysis By Location Type, 2023 to 2033 6. Global Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Booking Channel 6.1. Introduction / Key Findings 6.2. Historical Market Size Value (US$ Million) Analysis By Booking Channel, 2018 to 2022 6.3. Current and Future Market Size Value (US$ Million) Analysis and Forecast By Booking Channel, 2023 to 2033 6.3.1. Phone Booking 6.3.2. Online Booking 6.3.3. In Person Booking 6.4. Y-o-Y Growth Trend Analysis By Booking Channel, 2018 to 2022 6.5. Absolute $ Opportunity Analysis By Booking Channel, 2023 to 2033 7. Global Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Tourist Type 7.1. Introduction / Key Findings 7.2. Historical Market Size Value (US$ Million) Analysis By Tourist Type, 2018 to 2022 7.3. Current and Future Market Size Value (US$ Million) Analysis and Forecast By Tourist Type, 2023 to 2033 7.3.1. Domestic 7.3.2. International 7.4. Y-o-Y Growth Trend Analysis By Tourist Type, 2018 to 2022 7.5. Absolute $ Opportunity Analysis By Tourist Type, 2023 to 2033 8. Global Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Tour Type 8.1. Introduction / Key Findings 8.2. Historical Market Size Value (US$ Million) Analysis By Tour Type, 2018 to 2022 8.3. Current and Future Market Size Value (US$ Million) Analysis and Forecast By Tour Type, 2023 to 2033 8.3.1. Independent Traveler 8.3.2. Package Traveler 8.3.3. Tour Group 8.4. Y-o-Y Growth Trend Analysis By Tour Type, 2018 to 2022 8.5. Absolute $ Opportunity Analysis By Tour Type, 2023 to 2033 9. Global Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Consumer Orientation 9.1. Introduction / Key Findings 9.2. Historical Market Size Value (US$ Million) Analysis By Consumer Orientation, 2018 to 2022 9.3. Current and Future Market Size Value (US$ Million) Analysis and Forecast By Consumer Orientation, 2023 to 2033 9.3.1. Men 9.3.2. Women 9.4. Y-o-Y Growth Trend Analysis By Consumer Orientation, 2018 to 2022 9.5. Absolute $ Opportunity Analysis By Consumer Orientation, 2023 to 2033 10. Global Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Age Group 10.1. Introduction / Key Findings 10.2. Historical Market Size Value (US$ Million) Analysis By Age Group, 2018 to 2022 10.3. Current and Future Market Size Value (US$ Million) Analysis and Forecast By Age Group, 2023 to 2033 10.3.1. 15-25 Years 10.3.2. 26-35 Years 10.3.3. 36-45 Years 10.3.4. 46-55 Years 10.3.5. 66-75 Years 10.4. Y-o-Y Growth Trend Analysis By Age Group, 2018 to 2022 10.5. Absolute $ Opportunity Analysis By Age Group, 2023 to 2033 11. Global Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Region 11.1. Introduction 11.2. Historical Market Size Value (US$ Million) Analysis By Region, 2018 to 2022 11.3. Current Market Size Value (US$ Million) Analysis and Forecast By Region, 2023 to 2033 11.3.1. North America 11.3.2. Latin America 11.3.3. Western Europe 11.3.4. Eastern Europe 11.3.5. South Asia and Pacific 11.3.6. East Asia 11.3.7. Middle East and Africa 11.4. Market Attractiveness Analysis By Region 12. North America Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Country 12.1. Historical Market Size Value (US$ Million) Trend Analysis By Market Taxonomy, 2018 to 2022 12.2. Market Size Value (US$ Million) Forecast By Market Taxonomy, 2023 to 2033 12.2.1. By Country 12.2.1.1. USA 12.2.1.2. Canada 12.2.2. By Location Type 12.2.3. By Booking Channel 12.2.4. By Tourist Type 12.2.5. By Tour Type 12.2.6. By Consumer Orientation 12.2.7. By Age Group 12.3. Market Attractiveness Analysis 12.3.1. By Country 12.3.2. By Location Type 12.3.3. By Booking Channel 12.3.4. By Tourist Type 12.3.5. By Tour Type 12.3.6. By Consumer Orientation 12.3.7. By Age Group 12.4. Key Takeaways 13. Latin America Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Country 13.1. Historical Market Size Value (US$ Million) Trend Analysis By Market Taxonomy, 2018 to 2022 13.2. Market Size Value (US$ Million) Forecast By Market Taxonomy, 2023 to 2033 13.2.1. By Country 13.2.1.1. Brazil 13.2.1.2. Mexico 13.2.1.3. Rest of Latin America 13.2.2. By Location Type 13.2.3. By Booking Channel 13.2.4. By Tourist Type 13.2.5. By Tour Type 13.2.6. By Consumer Orientation 13.2.7. By Age Group 13.3. Market Attractiveness Analysis 13.3.1. By Country 13.3.2. By Location Type 13.3.3. By Booking Channel 13.3.4. By Tourist Type 13.3.5. By Tour Type 13.3.6. By Consumer Orientation 13.3.7. By Age Group 13.4. Key Takeaways 14. Western Europe Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Country 14.1. Historical Market Size Value (US$ Million) Trend Analysis By Market Taxonomy, 2018 to 2022 14.2. Market Size Value (US$ Million) Forecast By Market Taxonomy, 2023 to 2033 14.2.1. By Country 14.2.1.1. Germany 14.2.1.2. UK 14.2.1.3. France 14.2.1.4. Spain 14.2.1.5. Italy 14.2.1.6. Rest of Western Europe 14.2.2. By Location Type 14.2.3. By Booking Channel 14.2.4. By Tourist Type 14.2.5. By Tour Type 14.2.6. By Consumer Orientation 14.2.7. By Age Group 14.3. Market Attractiveness Analysis 14.3.1. By Country 14.3.2. By Location Type 14.3.3. By Booking Channel 14.3.4. By Tourist Type 14.3.5. By Tour Type 14.3.6. By Consumer Orientation 14.3.7. By Age Group 14.4. Key Takeaways 15. Eastern Europe Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Country 15.1. Historical Market Size Value (US$ Million) Trend Analysis By Market Taxonomy, 2018 to 2022 15.2. Market Size Value (US$ Million) Forecast By Market Taxonomy, 2023 to 2033 15.2.1. By Country 15.2.1.1. Poland 15.2.1.2. Russia 15.2.1.3. Czech Republic 15.2.1.4. Romania 15.2.1.5. Rest of Eastern Europe 15.2.2. By Location Type 15.2.3. By Booking Channel 15.2.4. By Tourist Type 15.2.5. By Tour Type 15.2.6. By Consumer Orientation 15.2.7. By Age Group 15.3. Market Attractiveness Analysis 15.3.1. By Country 15.3.2. By Location Type 15.3.3. By Booking Channel 15.3.4. By Tourist Type 15.3.5. By Tour Type 15.3.6. By Consumer Orientation 15.3.7. By Age Group 15.4. Key Takeaways 16. South Asia and Pacific Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Country 16.1. Historical Market Size Value (US$ Million) Trend Analysis By Market Taxonomy, 2018 to 2022 16.2. Market Size Value (US$ Million) Forecast By Market Taxonomy, 2023 to 2033 16.2.1. By Country 16.2.1.1. India 16.2.1.2. Bangladesh 16.2.1.3. Australia 16.2.1.4. New Zealand 16.2.1.5. Rest of South Asia and Pacific 16.2.2. By Location Type 16.2.3. By Booking Channel 16.2.4. By Tourist Type 16.2.5. By Tour Type 16.2.6. By Consumer Orientation 16.2.7. By Age Group 16.3. Market Attractiveness Analysis 16.3.1. By Country 16.3.2. By Location Type 16.3.3. By Booking Channel 16.3.4. By Tourist Type 16.3.5. By Tour Type 16.3.6. By Consumer Orientation 16.3.7. By Age Group 16.4. Key Takeaways 17. East Asia Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Country 17.1. Historical Market Size Value (US$ Million) Trend Analysis By Market Taxonomy, 2018 to 2022 17.2. Market Size Value (US$ Million) Forecast By Market Taxonomy, 2023 to 2033 17.2.1. By Country 17.2.1.1. China 17.2.1.2. Japan 17.2.1.3. South Korea 17.2.2. By Location Type 17.2.3. By Booking Channel 17.2.4. By Tourist Type 17.2.5. By Tour Type 17.2.6. By Consumer Orientation 17.2.7. By Age Group 17.3. Market Attractiveness Analysis 17.3.1. By Country 17.3.2. By Location Type 17.3.3. By Booking Channel 17.3.4. By Tourist Type 17.3.5. By Tour Type 17.3.6. By Consumer Orientation 17.3.7. By Age Group 17.4. Key Takeaways 18. Middle East and Africa Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Country 18.1. Historical Market Size Value (US$ Million) Trend Analysis By Market Taxonomy, 2018 to 2022 18.2. Market Size Value (US$ Million) Forecast By Market Taxonomy, 2023 to 2033 18.2.1. By Country 18.2.1.1. GCC Countries 18.2.1.2. South Africa 18.2.1.3. Israel 18.2.1.4. Rest of MEA 18.2.2. By Location Type 18.2.3. By Booking Channel 18.2.4. By Tourist Type 18.2.5. By Tour Type 18.2.6. By Consumer Orientation 18.2.7. By Age Group 18.3. Market Attractiveness Analysis 18.3.1. By Country 18.3.2. By Location Type 18.3.3. By Booking Channel 18.3.4. By Tourist Type 18.3.5. By Tour Type 18.3.6. By Consumer Orientation 18.3.7. By Age Group 18.4. Key Takeaways 19. Key Countries Market Analysis 19.1. USA 19.1.1. Pricing Analysis 19.1.2. Market Share Analysis, 2022 19.1.2.1. By Location Type 19.1.2.2. By Booking Channel 19.1.2.3. By Tourist Type 19.1.2.4. By Tour Type 19.1.2.5. By Consumer Orientation 19.1.2.6. By Age Group 19.2. Canada 19.2.1. Pricing Analysis 19.2.2. Market Share Analysis, 2022 19.2.2.1. By Location Type 19.2.2.2. By Booking Channel 19.2.2.3. By Tourist Type 19.2.2.4. By Tour Type 19.2.2.5. By Consumer Orientation 19.2.2.6. By Age Group 19.3. Brazil 19.3.1. Pricing Analysis 19.3.2. Market Share Analysis, 2022 19.3.2.1. By Location Type 19.3.2.2. By Booking Channel 19.3.2.3. By Tourist Type 19.3.2.4. By Tour Type 19.3.2.5. By Consumer Orientation 19.3.2.6. By Age Group 19.4. Mexico 19.4.1. Pricing Analysis 19.4.2. Market Share Analysis, 2022 19.4.2.1. By Location Type 19.4.2.2. By Booking Channel 19.4.2.3. By Tourist Type 19.4.2.4. By Tour Type 19.4.2.5. By Consumer Orientation 19.4.2.6. By Age Group 19.5. Germany 19.5.1. Pricing Analysis 19.5.2. Market Share Analysis, 2022 19.5.2.1. By Location Type 19.5.2.2. By Booking Channel 19.5.2.3. By Tourist Type 19.5.2.4. By Tour Type 19.5.2.5. By Consumer Orientation 19.5.2.6. By Age Group 19.6. UK 19.6.1. Pricing Analysis 19.6.2. Market Share Analysis, 2022 19.6.2.1. By Location Type 19.6.2.2. By Booking Channel 19.6.2.3. By Tourist Type 19.6.2.4. By Tour Type 19.6.2.5. By Consumer Orientation 19.6.2.6. By Age Group 19.7. France 19.7.1. Pricing Analysis 19.7.2. Market Share Analysis, 2022 19.7.2.1. By Location Type 19.7.2.2. By Booking Channel 19.7.2.3. By Tourist Type 19.7.2.4. By Tour Type 19.7.2.5. By Consumer Orientation 19.7.2.6. By Age Group 19.8. Spain 19.8.1. Pricing Analysis 19.8.2. Market Share Analysis, 2022 19.8.2.1. By Location Type 19.8.2.2. By Booking Channel 19.8.2.3. By Tourist Type 19.8.2.4. By Tour Type 19.8.2.5. By Consumer Orientation 19.8.2.6. By Age Group 19.9. Italy 19.9.1. Pricing Analysis 19.9.2. Market Share Analysis, 2022 19.9.2.1. By Location Type 19.9.2.2. By Booking Channel 19.9.2.3. By Tourist Type 19.9.2.4. By Tour Type 19.9.2.5. By Consumer Orientation 19.9.2.6. By Age Group 19.10. Poland 19.10.1. Pricing Analysis 19.10.2. Market Share Analysis, 2022 19.10.2.1. By Location Type 19.10.2.2. By Booking Channel 19.10.2.3. By Tourist Type 19.10.2.4. By Tour Type 19.10.2.5. By Consumer Orientation 19.10.2.6. By Age Group 19.11. Russia 19.11.1. Pricing Analysis 19.11.2. Market Share Analysis, 2022 19.11.2.1. By Location Type 19.11.2.2. By Booking Channel 19.11.2.3. By Tourist Type 19.11.2.4. By Tour Type 19.11.2.5. By Consumer Orientation 19.11.2.6. By Age Group 19.12. Czech Republic 19.12.1. Pricing Analysis 19.12.2. Market Share Analysis, 2022 19.12.2.1. By Location Type 19.12.2.2. By Booking Channel 19.12.2.3. By Tourist Type 19.12.2.4. By Tour Type 19.12.2.5. By Consumer Orientation 19.12.2.6. By Age Group 19.13. Romania 19.13.1. Pricing Analysis 19.13.2. Market Share Analysis, 2022 19.13.2.1. By Location Type 19.13.2.2. By Booking Channel 19.13.2.3. By Tourist Type 19.13.2.4. By Tour Type 19.13.2.5. By Consumer Orientation 19.13.2.6. By Age Group 19.14. India 19.14.1. Pricing Analysis 19.14.2. Market Share Analysis, 2022 19.14.2.1. By Location Type 19.14.2.2. By Booking Channel 19.14.2.3. By Tourist Type 19.14.2.4. By Tour Type 19.14.2.5. By Consumer Orientation 19.14.2.6. By Age Group 19.15. Bangladesh 19.15.1. Pricing Analysis 19.15.2. Market Share Analysis, 2022 19.15.2.1. By Location Type 19.15.2.2. By Booking Channel 19.15.2.3. By Tourist Type 19.15.2.4. By Tour Type 19.15.2.5. By Consumer Orientation 19.15.2.6. By Age Group 19.16. Australia 19.16.1. Pricing Analysis 19.16.2. Market Share Analysis, 2022 19.16.2.1. By Location Type 19.16.2.2. By Booking Channel 19.16.2.3. By Tourist Type 19.16.2.4. By Tour Type 19.16.2.5. By Consumer Orientation 19.16.2.6. By Age Group 19.17. New Zealand 19.17.1. Pricing Analysis 19.17.2. Market Share Analysis, 2022 19.17.2.1. By Location Type 19.17.2.2. By Booking Channel 19.17.2.3. By Tourist Type 19.17.2.4. By Tour Type 19.17.2.5. By Consumer Orientation 19.17.2.6. By Age Group 19.18. China 19.18.1. Pricing Analysis 19.18.2. Market Share Analysis, 2022 19.18.2.1. By Location Type 19.18.2.2. By Booking Channel 19.18.2.3. By Tourist Type 19.18.2.4. By Tour Type 19.18.2.5. By Consumer Orientation 19.18.2.6. By Age Group 19.19. Japan 19.19.1. Pricing Analysis 19.19.2. Market Share Analysis, 2022 19.19.2.1. By Location Type 19.19.2.2. By Booking Channel 19.19.2.3. By Tourist Type 19.19.2.4. By Tour Type 19.19.2.5. By Consumer Orientation 19.19.2.6. By Age Group 19.20. South Korea 19.20.1. Pricing Analysis 19.20.2. Market Share Analysis, 2022 19.20.2.1. By Location Type 19.20.2.2. By Booking Channel 19.20.2.3. By Tourist Type 19.20.2.4. By Tour Type 19.20.2.5. By Consumer Orientation 19.20.2.6. By Age Group 19.21. GCC Countries 19.21.1. Pricing Analysis 19.21.2. Market Share Analysis, 2022 19.21.2.1. By Location Type 19.21.2.2. By Booking Channel 19.21.2.3. By Tourist Type 19.21.2.4. By Tour Type 19.21.2.5. By Consumer Orientation 19.21.2.6. By Age Group 19.22. South Africa 19.22.1. Pricing Analysis 19.22.2. Market Share Analysis, 2022 19.22.2.1. By Location Type 19.22.2.2. By Booking Channel 19.22.2.3. By Tourist Type 19.22.2.4. By Tour Type 19.22.2.5. By Consumer Orientation 19.22.2.6. By Age Group 19.23. Israel 19.23.1. Pricing Analysis 19.23.2. Market Share Analysis, 2022 19.23.2.1. By Location Type 19.23.2.2. By Booking Channel 19.23.2.3. By Tourist Type 19.23.2.4. By Tour Type 19.23.2.5. By Consumer Orientation 19.23.2.6. By Age Group 20. Market Structure Analysis 20.1. Competition Dashboard 20.2. Competition Benchmarking 20.3. Market Share Analysis of Top Players 20.3.1. By Regional 20.3.2. By Location Type 20.3.3. By Booking Channel 20.3.4. By Tourist Type 20.3.5. By Tour Type 20.3.6. By Consumer Orientation 20.3.7. By Age Group 21. Competition Analysis 21.1. Competition Deep Dive 21.1.1. IIFTC 21.1.1.1. Overview 21.1.1.2. Product Portfolio 21.1.1.3. Profitability by Market Segments 21.1.1.4. Sales Footprint 21.1.1.5. Strategy Overview 21.1.1.5.1. Marketing Strategy 21.1.2. MP Tourism 21.1.2.1. Overview 21.1.2.2. Product Portfolio 21.1.2.3. Profitability by Market Segments 21.1.2.4. Sales Footprint 21.1.2.5. Strategy Overview 21.1.2.5.1. Marketing Strategy 21.1.3. Tourism Film Destinations 21.1.3.1. Overview 21.1.3.2. Product Portfolio 21.1.3.3. Profitability by Market Segments 21.1.3.4. Sales Footprint 21.1.3.5. Strategy Overview 21.1.3.5.1. Marketing Strategy 21.1.4. Scallywag Travel 21.1.4.1. Overview 21.1.4.2. Product Portfolio 21.1.4.3. Profitability by Market Segments 21.1.4.4. Sales Footprint 21.1.4.5. Strategy Overview 21.1.4.5.1. Marketing Strategy 21.1.5. On Location Tours 21.1.5.1. Overview 21.1.5.2. Product Portfolio 21.1.5.3. Profitability by Market Segments 21.1.5.4. Sales Footprint 21.1.5.5. Strategy Overview 21.1.5.5.1. Marketing Strategy 21.1.6. The Location Guide 21.1.6.1. Overview 21.1.6.2. Product Portfolio 21.1.6.3. Profitability by Market Segments 21.1.6.4. Sales Footprint 21.1.6.5. Strategy Overview 21.1.6.5.1. Marketing Strategy 21.1.7. The Travel Corporation 21.1.7.1. Overview 21.1.7.2. Product Portfolio 21.1.7.3. Profitability by Market Segments 21.1.7.4. Sales Footprint 21.1.7.5. Strategy Overview 21.1.7.5.1. Marketing Strategy 21.1.8. Film Tours 21.1.8.1. Overview 21.1.8.2. Product Portfolio 21.1.8.3. Profitability by Market Segments 21.1.8.4. Sales Footprint 21.1.8.5. Strategy Overview 21.1.8.5.1. Marketing Strategy 21.1.9. Movie Map 21.1.9.1. Overview 21.1.9.2. Product Portfolio 21.1.9.3. Profitability by Market Segments 21.1.9.4. Sales Footprint 21.1.9.5. Strategy Overview 21.1.9.5.1. Marketing Strategy 21.1.10. Viator 21.1.10.1. Overview 21.1.10.2. Product Portfolio 21.1.10.3. Profitability by Market Segments 21.1.10.4. Sales Footprint 21.1.10.5. Strategy Overview 21.1.10.5.1. Marketing Strategy 21.1.11. Brit Movie Tours 21.1.11.1. Overview 21.1.11.2. Product Portfolio 21.1.11.3. Profitability by Market Segments 21.1.11.4. Sales Footprint 21.1.11.5. Strategy Overview 21.1.11.5.1. Marketing Strategy 22. Assumptions & Acronyms Used 23. Research Methodology
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Film Tourism Market
