As per newly released data by Future Market Insights (FMI), the museums’ tourism market is estimated at US$ 25.2 billion in 2023. FMI forecasts the worldwide business of museums tourism to thrive at a CAGR of 11.5% from 2023 to 2033. Furthermore, according to this analysis report, the overall market value is projected to reach US$ 74.8 billion by 2033.
| Report Attributes or Data Points | Details |
|---|---|
| Global Museums Tourism Market Valuation in 2022 | US$ 20 billion |
| Estimated Global Market Share in 2023 | US$ 25.2 billion |
| Forecasted Global Market Size by 2033 | US$ 74.8 billion |
| Projected Global Market Growth Rate from 2023 to 2033 | 11.5% CAGR |
| Historical Market Growth Rate from 2018 to 2022 | 4.1% |
Key Points Covered in Museums Tourism Market Survey
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Museum tourism entails learning about unique cultures and events that took place in history. Museums preserve cultural values, exhibits of evolution, and details about nations and communities decades ago. Museum tourism is mainly motivated by cultural and heritage beliefs. The travelers get an opportunity to learn about historical events, bridge the gap between traditional and modern eras, and connect and experience the art and stories of the past. Museums are the most important part of the tourism industry. Museums serve as an effective way of learning; therefore, many tourists visit museums every year to explore and learn.
With a rise in trends of learning about historical events, especially at the educational level, there is a rise in participation from Educational Institutions in Museum Tourism. Educational institutions try to teach good values and morals at a young age by introducing cultural beliefs to their student. As museums are an effective way to learn, the student's participation is more as compared to adult travelers.
In addition, there has been a boom in the new industrial revolution over the past few decades. The possibility of observing industrialization's progression from its origin to the modern day is ideal for research scholars studying industrialization. The museums help students to learn and explore more than books efficiently. Thus, the above factors are expected to increase the participation of educational travelers in museum tourism.
Principal Consultant
The tourist travels for leisure, to discover, to explore, and to get a break from their busy schedule. There has been an unexpected increase in leisure travel post-pandemic. People are taking an active interest in more leisure activities.
Museums are one of the favorite choices of tourists. With the rising trend of heritage and cultural tourism, travelers are more attracted to museums. Also, certain known museums with their unique artifacts attract tourists worldwide. The growing importance of this trend is driving the market.
| Regional Market Comparison | Global Market Share in Percentage |
|---|---|
| North America | 25% |
| Europe | 20% |
Digital Virtual Museums to Grow the Museums Tourism Market in India
India is known for its vast history and its cultural heritage. Every year millions of travelers visit India to learn about Indian culture and Vedas and to study the history of India. Indian museums narrate the origin story and show how humanity has evolved in the past 100 years.
India exhibits a wealth of resources that shed light on its rich culture and heritage of its past. In 2014 the Ministry of Culture Government of India launched the National Portal Digital Repository for Museums of India. In the year 2022, they found the Museums of India mobile app. This allows users to access information virtually on various themes, histories, and artifacts related to the Indian history of 10 leading museums.
| Regional Market Comparison | Global Market Share in Percentage |
|---|---|
| United States | 5% |
| Germany | 4.9% |
| Japan | 5.5% |
| Australia | 6% |
The Recovery of Museum Tourism Majorly Contributing to the United Kingdom Tourism Industry
Tourism is one of the leading industries in the United Kingdom. The United Kingdom has one of the world's most pre-eminent collections and high-profile museums. This attracts tourists from around the world. According to National Museum Director's Council (NDMC), museums and galleries are one of the most popular tourist attractions.
The museums and galleries of the United Kingdom contribute a massive share to the tourism industry. In 2021, the Natural History Museum had 1.57 million visitors and was the most visited museum, followed by British Museum with 1.32 million, Tate Modern with 1.15 million, and Science Museum with 955k visitors. Region-wise, Scotland had 45% more visitors in 2021 as compared to the year 2020.
| Regional Markets | CAGR (2023 to 2033) |
|---|---|
| United Kingdom | 4.7% |
| China | 5.3% |
| India | 4% |
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History Museums Are the Most Preferred Museum for Its Chronological Collections
According to the analysis, in terms of type, history museums are mostly preferred by the tourist. Historical museums offer a wide variety of historical collections, which are presented in chronological order. The objects collected and offered could be artifacts, documents, archeological findings, etc. It helps a tourist to learn about specific historical aspects. Besides this, art museums and science museums are equally preferred as much as history museums.
| Category | By Museum Type |
|---|---|
| Top Segment | History Museum |
| Market Share in Percentage | 24% |
| Category | By Tourist Type |
|---|---|
| Top Segment | Domestic |
| Market Share in Percentage | 55% |
Tourists from All the Age Group May Increase Significantly
In terms of age group, tourists in all age groups are expected to rise since this demographic is more inclined to explore and discover certain learning as per their interest. The museum is a fun and effective way of learning. People from different age groups like different types of museums as per their scope of knowledge or for leisure or to explore something beyond their limitations. Apart from that, the government is making efforts to provide free-of-charge entry for local citizens and developing applications for virtual museums for the convenience of tourists.
For example, The British Museum in London has made free entry for tourists to visit the Museum. The fee is only chargeable for exhibitions and events. A tourist need to book tickets in advance on the online website of The British Museum. Likewise, there are various other museums that don't cost money for museum visits.
Online Booking is Generally More Preferred by The Tourist
In terms of booking channels, the online booking channel is more preferred than in-person booking. As the world is upgrading and digitizing, museums websites are also upgrading. Travelers travel to museums across the globe, and therefore for their convenience and ease, many museums have allowed and offered online booking on their websites. At the same time, many museums like The British Museums and The National History Museums inform travelers to book tickets in advance on their websites. The hazel-free process helps travelers to plan a visit efficiently.
Leading players operating around the globe are focusing on expanding new verticals to expand their business.
For instance:
The Art Institute of Chicago is one of the top museums in the world. It is famous for Edward Hopper's Nighthawks and Grant Wood's American Gothic. In 2009, the Terzo Piano restaurant was launched at the Art Institute of Chicago, where tourists can see the Chicago Skyline and Millennium Park.
Recent Developments by the Museums Tourism Service Providers
| Attribute | Details |
|---|---|
| Forecast Period | 2023 to 2033 |
| Historical Data Available for | 2018 to 2022 |
| Market Analysis | US$ million or US$ billion for Value |
| Key Regions Covered | North America, Latin America, Europe, East Asia, South Asia, Oceania & The Middle East and Africa |
| Key Countries Covered | United States, Canada, Brazil, Mexico, Argentina, Colombia, Germany, United Kingdom, France, Italy, Russia, South Africa, Turkey, UAE, Egypt, Jordan, China, Japan, South Korea, India, Thailand, Malaysia, Indonesia, Philippines, Cambodia, Vietnam Australia & New Zealand. |
| Key Segments Covered | Museum Type, Booking Channel, Tour Type, Consumer Orientation, Age Group, and Region. |
| Key Companies Profiled |
|
| Report Coverage | Market Forecast, Company Share Analysis, Competition Intelligence, DROT Analysis, Market Dynamics and Challenges, and Strategic Growth Initiatives |
| Customization & Pricing | Available upon Request |
The market is expected to flourish at a CAGR of 11.5%.
25% of market share is expected in North America.
Increasing interest in culture & heritage, and unique artifacts.
From 2018 to 2022, the market registered a CAGR of 4.1%.
The market is expected to reach US$ 74.8 billion by 2033.
1. Executive Summary 1.1. Global Market Outlook 1.2. Demand-side Trends 1.3. Supply-side Trends 1.4. Technology Roadmap Analysis 1.5. Analysis and Recommendations 2. Market Overview 2.1. Market Coverage / Taxonomy 2.2. Market Definition / Scope / Limitations 3. Market Background 3.1. Market Dynamics 3.1.1. Drivers 3.1.2. Restraints 3.1.3. Opportunity 3.1.4. Trends 3.2. Scenario Forecast 3.2.1. Demand in Optimistic Scenario 3.2.2. Demand in Likely Scenario 3.2.3. Demand in Conservative Scenario 3.3. Opportunity Map Analysis 3.4. Investment Feasibility Matrix 3.5. PESTLE and Porter’s Analysis 3.6. Regulatory Landscape 3.6.1. By Key Regions 3.6.2. By Key Countries 3.7. Regional Parent Market Outlook 4. Global Market Analysis 2018 to 2022 and Forecast, 2023 to 2033 4.1. Historical Market Size Value (US$ Million) Analysis, 2018 to 2022 4.2. Current and Future Market Size Value (US$ Million) Projections, 2023 to 2033 4.2.1. Y-o-Y Growth Trend Analysis 4.2.2. Absolute $ Opportunity Analysis 5. Global Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Museum Type 5.1. Introduction / Key Findings 5.2. Historical Market Size Value (US$ Million) Analysis By Museum Type, 2018 to 2022 5.3. Current and Future Market Size Value (US$ Million) Analysis and Forecast By Museum Type, 2023 to 2033 5.3.1. Art Museum 5.3.2. History Museum 5.3.3. National Museum 5.3.4. Science Museum 5.3.5. Others 5.4. Y-o-Y Growth Trend Analysis By Museum Type, 2018 to 2022 5.5. Absolute $ Opportunity Analysis By Museum Type, 2023 to 2033 6. Global Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Booking Type 6.1. Introduction / Key Findings 6.2. Historical Market Size Value (US$ Million) Analysis By Booking Type, 2018 to 2022 6.3. Current and Future Market Size Value (US$ Million) Analysis and Forecast By Booking Type, 2023 to 2033 6.3.1. Online Booking 6.3.2. In Person Booking 6.4. Y-o-Y Growth Trend Analysis By Booking Type, 2018 to 2022 6.5. Absolute $ Opportunity Analysis By Booking Type, 2023 to 2033 7. Global Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Tourist Type 7.1. Introduction / Key Findings 7.2. Historical Market Size Value (US$ Million) Analysis by Tourist Type, 2018 to 2022 7.3. Current and Future Market Size Value (US$ Million) Analysis and Forecast by Tourist Type, 2023 to 2033 7.3.1. Domestic 7.3.2. International 7.4. Y-o-Y Growth Trend Analysis by Tourist Type, 2018 to 2022 7.5. Absolute $ Opportunity Analysis by Tourist Type, 2023 to 2033 8. Global Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Tour Type 8.1. Introduction / Key Findings 8.2. Historical Market Size Value (US$ Million) Analysis By Tour Type, 2018 to 2022 8.3. Current and Future Market Size Value (US$ Million) Analysis and Forecast By Tour Type, 2023 to 2033 8.3.1. Independent Traveler 8.3.2. Group Trip 8.3.3. Family trip 8.3.4. Student trip 8.4. Y-o-Y Growth Trend Analysis By Tour Type, 2018 to 2022 8.5. Absolute $ Opportunity Analysis By Tour Type, 2023 to 2033 9. Global Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Consumer Orientation 9.1. Introduction / Key Findings 9.2. Historical Market Size Value (US$ Million) Analysis By Consumer Orientation, 2018 to 2022 9.3. Current and Future Market Size Value (US$ Million) Analysis and Forecast By Consumer Orientation, 2023 to 2033 9.3.1. Men 9.3.2. Women 9.3.3. Children 9.4. Y-o-Y Growth Trend Analysis By Consumer Orientation, 2018 to 2022 9.5. Absolute $ Opportunity Analysis By Consumer Orientation, 2023 to 2033 10. Global Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Age Group 10.1. Introduction / Key Findings 10.2. Historical Market Size Value (US$ Million) Analysis By Age Group, 2018 to 2022 10.3. Current and Future Market Size Value (US$ Million) Analysis and Forecast By Age Group, 2023 to 2033 10.3.1. 15-25 Years 10.3.2. 26-35 Years 10.3.3. 36-45 Years 10.3.4. 46-55 Years 10.3.5. 66-75 Years 10.4. Y-o-Y Growth Trend Analysis By Age Group, 2018 to 2022 10.5. Absolute $ Opportunity Analysis By Age Group, 2023 to 2033 11. Global Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Region 11.1. Introduction 11.2. Historical Market Size Value (US$ Million) Analysis By Region, 2018 to 2022 11.3. Current Market Size Value (US$ Million) Analysis and Forecast By Region, 2023 to 2033 11.3.1. North America 11.3.2. Latin America 11.3.3. Western Europe 11.3.4. Eastern Europe 11.3.5. South Asia and Pacific 11.3.6. East Asia 11.3.7. Middle East and Africa 11.4. Market Attractiveness Analysis By Region 12. North America Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Country 12.1. Historical Market Size Value (US$ Million) Trend Analysis By Market Taxonomy, 2018 to 2022 12.2. Market Size Value (US$ Million) Forecast By Market Taxonomy, 2023 to 2033 12.2.1. By Country 12.2.1.1. The USA 12.2.1.2. Canada 12.2.2. By Museum Type 12.2.3. By Booking Type 12.2.4. By Tourist Type 12.2.5. By Tour Type 12.2.6. By Consumer Orientation 12.2.7. By Age Group 12.3. Market Attractiveness Analysis 12.3.1. By Country 12.3.2. By Museum Type 12.3.3. By Booking Type 12.3.4. By Tourist Type 12.3.5. By Tour Type 12.3.6. By Consumer Orientation 12.3.7. By Age Group 12.4. Key Takeaways 13. Latin America Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Country 13.1. Historical Market Size Value (US$ Million) Trend Analysis By Market Taxonomy, 2018 to 2022 13.2. Market Size Value (US$ Million) Forecast By Market Taxonomy, 2023 to 2033 13.2.1. By Country 13.2.1.1. Brazil 13.2.1.2. Mexico 13.2.1.3. Rest of Latin America 13.2.2. By Museum Type 13.2.3. By Booking Type 13.2.4. By Tourist Type 13.2.5. By Tour Type 13.2.6. By Consumer Orientation 13.2.7. By Age Group 13.3. Market Attractiveness Analysis 13.3.1. By Country 13.3.2. By Museum Type 13.3.3. By Booking Type 13.3.4. By Tourist Type 13.3.5. By Tour Type 13.3.6. By Consumer Orientation 13.3.7. By Age Group 13.4. Key Takeaways 14. Western Europe Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Country 14.1. Historical Market Size Value (US$ Million) Trend Analysis By Market Taxonomy, 2018 to 2022 14.2. Market Size Value (US$ Million) Forecast By Market Taxonomy, 2023 to 2033 14.2.1. By Country 14.2.1.1. Germany 14.2.1.2. United Kingdom 14.2.1.3. France 14.2.1.4. Spain 14.2.1.5. Italy 14.2.1.6. Rest of Western Europe 14.2.2. By Museum Type 14.2.3. By Booking Type 14.2.4. By Tourist Type 14.2.5. By Tour Type 14.2.6. By Consumer Orientation 14.2.7. By Age Group 14.3. Market Attractiveness Analysis 14.3.1. By Country 14.3.2. By Museum Type 14.3.3. By Booking Type 14.3.4. By Tourist Type 14.3.5. By Tour Type 14.3.6. By Consumer Orientation 14.3.7. By Age Group 14.4. Key Takeaways 15. Eastern Europe Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Country 15.1. Historical Market Size Value (US$ Million) Trend Analysis By Market Taxonomy, 2018 to 2022 15.2. Market Size Value (US$ Million) Forecast By Market Taxonomy, 2023 to 2033 15.2.1. By Country 15.2.1.1. Poland 15.2.1.2. Russia 15.2.1.3. Czech Republic 15.2.1.4. Romania 15.2.1.5. Rest of Eastern Europe 15.2.2. By Museum Type 15.2.3. By Booking Type 15.2.4. By Tourist Type 15.2.5. By Tour Type 15.2.6. By Consumer Orientation 15.2.7. By Age Group 15.3. Market Attractiveness Analysis 15.3.1. By Country 15.3.2. By Museum Type 15.3.3. By Booking Type 15.3.4. By Tourist Type 15.3.5. By Tour Type 15.3.6. By Consumer Orientation 15.3.7. By Age Group 15.4. Key Takeaways 16. South Asia and Pacific Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Country 16.1. Historical Market Size Value (US$ Million) Trend Analysis By Market Taxonomy, 2018 to 2022 16.2. Market Size Value (US$ Million) Forecast By Market Taxonomy, 2023 to 2033 16.2.1. By Country 16.2.1.1. India 16.2.1.2. Bangladesh 16.2.1.3. Australia 16.2.1.4. New Zealand 16.2.1.5. Rest of South Asia and Pacific 16.2.2. By Museum Type 16.2.3. By Booking Type 16.2.4. By Tourist Type 16.2.5. By Tour Type 16.2.6. By Consumer Orientation 16.2.7. By Age Group 16.3. Market Attractiveness Analysis 16.3.1. By Country 16.3.2. By Museum Type 16.3.3. By Booking Type 16.3.4. By Tourist Type 16.3.5. By Tour Type 16.3.6. By Consumer Orientation 16.3.7. By Age Group 16.4. Key Takeaways 17. East Asia Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Country 17.1. Historical Market Size Value (US$ Million) Trend Analysis By Market Taxonomy, 2018 to 2022 17.2. Market Size Value (US$ Million) Forecast By Market Taxonomy, 2023 to 2033 17.2.1. By Country 17.2.1.1. China 17.2.1.2. Japan 17.2.1.3. South Korea 17.2.2. By Museum Type 17.2.3. By Booking Type 17.2.4. By Tourist Type 17.2.5. By Tour Type 17.2.6. By Consumer Orientation 17.2.7. By Age Group 17.3. Market Attractiveness Analysis 17.3.1. By Country 17.3.2. By Museum Type 17.3.3. By Booking Type 17.3.4. By Tourist Type 17.3.5. By Tour Type 17.3.6. By Consumer Orientation 17.3.7. By Age Group 17.4. Key Takeaways 18. Middle East and Africa Market Analysis 2018 to 2022 and Forecast 2023 to 2033, By Country 18.1. Historical Market Size Value (US$ Million) Trend Analysis By Market Taxonomy, 2018 to 2022 18.2. Market Size Value (US$ Million) Forecast By Market Taxonomy, 2023 to 2033 18.2.1. By Country 18.2.1.1. GCC Countries 18.2.1.2. South Africa 18.2.1.3. Israel 18.2.1.4. Rest of MEA 18.2.2. By Museum Type 18.2.3. By Booking Type 18.2.4. By Tourist Type 18.2.5. By Tour Type 18.2.6. By Consumer Orientation 18.2.7. By Age Group 18.3. Market Attractiveness Analysis 18.3.1. By Country 18.3.2. By Museum Type 18.3.3. By Booking Type 18.3.4. By Tourist Type 18.3.5. By Tour Type 18.3.6. By Consumer Orientation 18.3.7. By Age Group 18.4. Key Takeaways 19. Key Countries Market Analysis 19.1. USA 19.1.1. Pricing Analysis 19.1.2. Market Share Analysis, 2022 19.1.2.1. By Museum Type 19.1.2.2. By Booking Type 19.1.2.3. By Tourist Type 19.1.2.4. By Tour Type 19.1.2.5. By Consumer Orientation 19.1.2.6. By Age Group 19.2. Canada 19.2.1. Pricing Analysis 19.2.2. Market Share Analysis, 2022 19.2.2.1. By Museum Type 19.2.2.2. By Booking Type 19.2.2.3. By Tourist Type 19.2.2.4. By Tour Type 19.2.2.5. By Consumer Orientation 19.2.2.6. By Age Group 19.3. Brazil 19.3.1. Pricing Analysis 19.3.2. Market Share Analysis, 2022 19.3.2.1. By Museum Type 19.3.2.2. By Booking Type 19.3.2.3. By Tourist Type 19.3.2.4. By Tour Type 19.3.2.5. By Consumer Orientation 19.3.2.6. By Age Group 19.4. Mexico 19.4.1. Pricing Analysis 19.4.2. Market Share Analysis, 2022 19.4.2.1. By Museum Type 19.4.2.2. By Booking Type 19.4.2.3. By Tourist Type 19.4.2.4. By Tour Type 19.4.2.5. By Consumer Orientation 19.4.2.6. By Age Group 19.5. Germany 19.5.1. Pricing Analysis 19.5.2. Market Share Analysis, 2022 19.5.2.1. By Museum Type 19.5.2.2. By Booking Type 19.5.2.3. By Tourist Type 19.5.2.4. By Tour Type 19.5.2.5. By Consumer Orientation 19.5.2.6. By Age Group 19.6. United Kingdom 19.6.1. Pricing Analysis 19.6.2. Market Share Analysis, 2022 19.6.2.1. By Museum Type 19.6.2.2. By Booking Type 19.6.2.3. By Tourist Type 19.6.2.4. By Tour Type 19.6.2.5. By Consumer Orientation 19.6.2.6. By Age Group 19.7. France 19.7.1. Pricing Analysis 19.7.2. Market Share Analysis, 2022 19.7.2.1. By Museum Type 19.7.2.2. By Booking Type 19.7.2.3. By Tourist Type 19.7.2.4. By Tour Type 19.7.2.5. By Consumer Orientation 19.7.2.6. By Age Group 19.8. Spain 19.8.1. Pricing Analysis 19.8.2. Market Share Analysis, 2022 19.8.2.1. By Museum Type 19.8.2.2. By Booking Type 19.8.2.3. By Tourist Type 19.8.2.4. By Tour Type 19.8.2.5. By Consumer Orientation 19.8.2.6. By Age Group 19.9. Italy 19.9.1. Pricing Analysis 19.9.2. Market Share Analysis, 2022 19.9.2.1. By Museum Type 19.9.2.2. By Booking Type 19.9.2.3. By Tourist Type 19.9.2.4. By Tour Type 19.9.2.5. By Consumer Orientation 19.9.2.6. By Age Group 19.10. Poland 19.10.1. Pricing Analysis 19.10.2. Market Share Analysis, 2022 19.10.2.1. By Museum Type 19.10.2.2. By Booking Type 19.10.2.3. By Tourist Type 19.10.2.4. By Tour Type 19.10.2.5. By Consumer Orientation 19.10.2.6. By Age Group 19.11. Russia 19.11.1. Pricing Analysis 19.11.2. Market Share Analysis, 2022 19.11.2.1. By Museum Type 19.11.2.2. By Booking Type 19.11.2.3. By Tourist Type 19.11.2.4. By Tour Type 19.11.2.5. By Consumer Orientation 19.11.2.6. By Age Group 19.12. Czech Republic 19.12.1. Pricing Analysis 19.12.2. Market Share Analysis, 2022 19.12.2.1. By Museum Type 19.12.2.2. By Booking Type 19.12.2.3. By Tourist Type 19.12.2.4. By Tour Type 19.12.2.5. By Consumer Orientation 19.12.2.6. By Age Group 19.13. Romania 19.13.1. Pricing Analysis 19.13.2. Market Share Analysis, 2022 19.13.2.1. By Museum Type 19.13.2.2. By Booking Type 19.13.2.3. By Tourist Type 19.13.2.4. By Tour Type 19.13.2.5. By Consumer Orientation 19.13.2.6. By Age Group 19.14. India 19.14.1. Pricing Analysis 19.14.2. Market Share Analysis, 2022 19.14.2.1. By Museum Type 19.14.2.2. By Booking Type 19.14.2.3. By Tourist Type 19.14.2.4. By Tour Type 19.14.2.5. By Consumer Orientation 19.14.2.6. By Age Group 19.15. Bangladesh 19.15.1. Pricing Analysis 19.15.2. Market Share Analysis, 2022 19.15.2.1. By Museum Type 19.15.2.2. By Booking Type 19.15.2.3. By Tourist Type 19.15.2.4. By Tour Type 19.15.2.5. By Consumer Orientation 19.15.2.6. By Age Group 19.16. Australia 19.16.1. Pricing Analysis 19.16.2. Market Share Analysis, 2022 19.16.2.1. By Museum Type 19.16.2.2. By Booking Type 19.16.2.3. By Tourist Type 19.16.2.4. By Tour Type 19.16.2.5. By Consumer Orientation 19.16.2.6. By Age Group 19.17. New Zealand 19.17.1. Pricing Analysis 19.17.2. Market Share Analysis, 2022 19.17.2.1. By Museum Type 19.17.2.2. By Booking Type 19.17.2.3. By Tourist Type 19.17.2.4. By Tour Type 19.17.2.5. By Consumer Orientation 19.17.2.6. By Age Group 19.18. China 19.18.1. Pricing Analysis 19.18.2. Market Share Analysis, 2022 19.18.2.1. By Museum Type 19.18.2.2. By Booking Type 19.18.2.3. By Tourist Type 19.18.2.4. By Tour Type 19.18.2.5. By Consumer Orientation 19.18.2.6. By Age Group 19.19. Japan 19.19.1. Pricing Analysis 19.19.2. Market Share Analysis, 2022 19.19.2.1. By Museum Type 19.19.2.2. By Booking Type 19.19.2.3. By Tourist Type 19.19.2.4. By Tour Type 19.19.2.5. By Consumer Orientation 19.19.2.6. By Age Group 19.20. South Korea 19.20.1. Pricing Analysis 19.20.2. Market Share Analysis, 2022 19.20.2.1. By Museum Type 19.20.2.2. By Booking Type 19.20.2.3. By Tourist Type 19.20.2.4. By Tour Type 19.20.2.5. By Consumer Orientation 19.20.2.6. By Age Group 19.21. GCC Countries 19.21.1. Pricing Analysis 19.21.2. Market Share Analysis, 2022 19.21.2.1. By Museum Type 19.21.2.2. By Booking Type 19.21.2.3. By Tourist Type 19.21.2.4. By Tour Type 19.21.2.5. By Consumer Orientation 19.21.2.6. By Age Group 19.22. South Africa 19.22.1. Pricing Analysis 19.22.2. Market Share Analysis, 2022 19.22.2.1. By Museum Type 19.22.2.2. By Booking Type 19.22.2.3. By Tourist Type 19.22.2.4. By Tour Type 19.22.2.5. By Consumer Orientation 19.22.2.6. By Age Group 19.23. Israel 19.23.1. Pricing Analysis 19.23.2. Market Share Analysis, 2022 19.23.2.1. By Museum Type 19.23.2.2. By Booking Type 19.23.2.3. By Tourist Type 19.23.2.4. By Tour Type 19.23.2.5. By Consumer Orientation 19.23.2.6. By Age Group 20. Market Structure Analysis 20.1. Competition Dashboard 20.2. Competition Benchmarking 20.3. Market Share Analysis of Top Players 20.3.1. By Regional 20.3.2. By Museum Type 20.3.3. By Booking Type 20.3.4. By Tourist Type 20.3.5. By Tour Type 20.3.6. By Consumer Orientation 20.3.7. By Age Group 21. Competition Analysis 21.1. Competition Deep Dive 21.1.1. Louvre 21.1.1.1. Overview 21.1.1.2. Product Portfolio 21.1.1.3. Profitability by Market Segments 21.1.1.4. Sales Footprint 21.1.1.5. Strategy Overview 21.1.1.5.1. Marketing Strategy 21.1.2. National Museum of China 21.1.2.1. Overview 21.1.2.2. Product Portfolio 21.1.2.3. Profitability by Market Segments 21.1.2.4. Sales Footprint 21.1.2.5. Strategy Overview 21.1.2.5.1. Marketing Strategy 21.1.3. Russian Museum 21.1.3.1. Overview 21.1.3.2. Product Portfolio 21.1.3.3. Profitability by Market Segments 21.1.3.4. Sales Footprint 21.1.3.5. Strategy Overview 21.1.3.5.1. Marketing Strategy 21.1.4. Multimedia Art Museum 21.1.4.1. Overview 21.1.4.2. Product Portfolio 21.1.4.3. Profitability by Market Segments 21.1.4.4. Sales Footprint 21.1.4.5. Strategy Overview 21.1.4.5.1. Marketing Strategy 21.1.5. Metropolitan Museum of Art 21.1.5.1. Overview 21.1.5.2. Product Portfolio 21.1.5.3. Profitability by Market Segments 21.1.5.4. Sales Footprint 21.1.5.5. Strategy Overview 21.1.5.5.1. Marketing Strategy 21.1.6. Galleria degli Uffizi 21.1.6.1. Overview 21.1.6.2. Product Portfolio 21.1.6.3. Profitability by Market Segments 21.1.6.4. Sales Footprint 21.1.6.5. Strategy Overview 21.1.6.5.1. Marketing Strategy 21.1.7. National Gallery of Art 21.1.7.1. Overview 21.1.7.2. Product Portfolio 21.1.7.3. Profitability by Market Segments 21.1.7.4. Sales Footprint 21.1.7.5. Strategy Overview 21.1.7.5.1. Marketing Strategy 21.1.8. State Hermitage Museum 21.1.8.1. Overview 21.1.8.2. Product Portfolio 21.1.8.3. Profitability by Market Segments 21.1.8.4. Sales Footprint 21.1.8.5. Strategy Overview 21.1.8.5.1. Marketing Strategy 21.1.9. Museo Reina Sofía 21.1.9.1. Overview 21.1.9.2. Product Portfolio 21.1.9.3. Profitability by Market Segments 21.1.9.4. Sales Footprint 21.1.9.5. Strategy Overview 21.1.9.5.1. Marketing Strategy 21.1.10. Vatican Museums 21.1.10.1. Overview 21.1.10.2. Product Portfolio 21.1.10.3. Profitability by Market Segments 21.1.10.4. Sales Footprint 21.1.10.5. Strategy Overview 21.1.10.5.1. Marketing Strategy 21.1.11. Tretyakov Gallery 21.1.11.1. Overview 21.1.11.2. Product Portfolio 21.1.11.3. Profitability by Market Segments 21.1.11.4. Sales Footprint 21.1.11.5. Strategy Overview 21.1.11.5.1. Marketing Strategy 21.1.12. Centre Pompidou 21.1.12.1. Overview 21.1.12.2. Product Portfolio 21.1.12.3. Profitability by Market Segments 21.1.12.4. Sales Footprint 21.1.12.5. Strategy Overview 21.1.12.5.1. Marketing Strategy 21.1.13. Natural History Museum 21.1.13.1. Overview 21.1.13.2. Product Portfolio 21.1.13.3. Profitability by Market Segments 21.1.13.4. Sales Footprint 21.1.13.5. Strategy Overview 21.1.13.5.1. Marketing Strategy 21.1.14. Tate Modern 21.1.14.1. Overview 21.1.14.2. Product Portfolio 21.1.14.3. Profitability by Market Segments 21.1.14.4. Sales Footprint 21.1.14.5. Strategy Overview 21.1.14.5.1. Marketing Strategy 21.1.15. National Museum of Natural History 21.1.15.1. Overview 21.1.15.2. Product Portfolio 21.1.15.3. Profitability by Market Segments 21.1.15.4. Sales Footprint 21.1.15.5. Strategy Overview 21.1.15.5.1. Marketing Strategy 21.1.16. National Air and Space Museum 21.1.16.1. Overview 21.1.16.2. Product Portfolio 21.1.16.3. Profitability by Market Segments 21.1.16.4. Sales Footprint 21.1.16.5. Strategy Overview 21.1.16.5.1. Marketing Strategy 21.1.17. Shanghai Museum 21.1.17.1. Overview 21.1.17.2. Product Portfolio 21.1.17.3. Profitability by Market Segments 21.1.17.4. Sales Footprint 21.1.17.5. Strategy Overview 21.1.17.5.1. Marketing Strategy 21.1.18. London Science Museum 21.1.18.1. Overview 21.1.18.2. Product Portfolio 21.1.18.3. Profitability by Market Segments 21.1.18.4. Sales Footprint 21.1.18.5. Strategy Overview 21.1.18.5.1. Marketing Strategy 22. Assumptions & Acronyms Used 23. Research Methodology
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